Corinna Silva-Rodriguez Bonazzi first began experimenting with ceramics in Lima when she came in contact with it through the practice of her grandmother. Between studying graphic design at Otis/Parsons School of Design, Los Angeles and co-founding the Wolf design studio in Mexico City during the 1980s, she continued her interest in working with clay. Returning to Lima she worked in the area of graphic-screen-printing production while maintaining her ceramic practice, and taking a teaching role at San Ignacio University

Looking to completely dedicate herself to ceramics, in 2005, Corinna founded the Cotto Designs ceramics studio. She quickly began producing specialty dishes for various top national and foreign restaurants, commissioned pieces for artist projects and workshops for young artists.

Working extensively with coils, Corinna likes to lose time and feel how the clay takes her fingers and drives the pieces.



Ignacio Guzmán has over 30 years of ceramic practice. Locally, he has been part of numerous ceramic projects such as: in the region of Aylambo-Cajamarca with german ceramist Uli Witzman; undertaking traditional Chazuta pottery and firing within the jungle of Tarapoto; and as an active member of the CIAP ceramic lab involving associations of artesans from the highlands of Ayacucho in Lurin and Vitarte.

Through these projects, he has become trained in-depth in the use of local materials and traditional practices of pottery in Perú giving him a wide knowledge of ancestral techniques and firings.

Internationally, he has worked and exhibited in Spain and Belgium since 2000. He was a teacher of ceramics at Pontificia Universidad Católica, Lima for 8 years and has taught at the National School of Arts in Lima.






With wide experience on production on production of festivals, artistic residencies and tv productions . Since 2017 Pamela is in charge of the the Cotto Ceramic Residency. 




Renzo is a plastic artist who graduated with a degree in industrial design from the Faculty of Art PUCP (2015). His work in ceramics is constantly moving between the design of objects and the plastic expression of matter. In both directions, it seeks to develop products that involve the user in an emotional way, to convey a poetic, ludic, or critical message.  

Currently, his work tries to highlight the vulnerability of being versus the future, through relationships of forms, constructions, diverse materials and finishes.